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First staged as early as 1376, the York Corpus Christi plays were performed annually until the late 1500s and involved as much as a tenth of the city in multiple performances at a dozen or more locations. Signifying God shows how organizing the plays served as a political mechanism for regulating labor, and how theater and sacrament combined in them to do important theological work.
- Sales Rank: #2003036 in Books
- Published on: 2003-12-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .90" w x 5.50" l, .78 pounds
- Binding: Paperback
- 312 pages
From the Inside Flap
In Signifying God, Sarah Beckwith explores the most lavish, long-lasting, and complex form of collective theatrical enterprise in English history: the York Corpus Christi plays. Staged as early as 1376, the York Corpus Christi plays were performed annually until the late 1500s and involved as much as a tenth of the city in multiple performances at a dozen or more locations.
Introducing a radical new understanding of these plays as "sacramental theater," Beckwith shows how organizing the plays served as a political mechanism for regulating labor, and how the combination of theater and sacrament allows them to carry out important theological work. Beckwith's work engages and reveals intersections within an array of disciplines, including theater history, ritual and performance studies, religious history, theology, and the literary history of both the Middle Ages and the Reformation.
About the Author
Sarah Beckwith is a professor of English at Duke University.
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