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The third of Dostoevsky's five major novels, Devils (1871-2), also known as The Possessed, is at once a powerful political tract and a profound study of atheism, depicting the disarray that follows the appearance of a band of modish radicals in a small provincial town. This new translation includes the chapter "Stavrogin's confession," initially censored by Dostoevsky's publisher.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
- Sales Rank: #261524 in Books
- Published on: 2008-07-15
- Original language: English
- Number of items: 1
- Dimensions: 5.00" h x 1.30" w x 7.70" l, 1.20 pounds
- Binding: Paperback
- 800 pages
Review
"We are indebted to Michael R. Katz for an accurate and imaginative new rendition of the greatest political novel ever written."--Maurice Friedberg, University of Illinois
"I am delighted to have this new translation available for students -- a highly readable translation and an affordable edition. This is long overdue!"--Byron Lindsey, University of New Mexico
Language Notes
Text: English
Original Language: Russian
About the Author
Michael R. Katz, Professor of Slavic Languages, the University of Texas at Austin.
Most helpful customer reviews
8 of 8 people found the following review helpful.
Excellent Translation
By Q
Michael R. Katz' translation of DEVILS into English for Oxford is excellent. Conveys Dostoevky's meaning without pedanticism or distortion. Highly recommended. The value of the novel itself goes w/o question. I'll just say that Dostoevsky presents a devastating critique of modern political liberalism which is highly applicable to the U.S. today. I wanted to add that this translation included the chapter called "Stavrogin's confession" which was left out of the first Russian edition because it was too offensive and/or controversial. This edition includes this chapter where Doestoevky put in in the original manuscript. To my knowledge, this is the first, perhaps only, English translation to do so. A previous translation included the chapter as an appendix, but this includes it in its original place.
17 of 18 people found the following review helpful.
Most Prophetic Novel of All Time
By Allan from San Francisco
Most readers probably know that the character of the amoral nihilist Peter Verkhovensky is based--not too loosely, either--on the real-life figure of Sergei Nechayev (pronounced neech-aye-eff), who collaborated with the anarchist Bakunin while they were both hiding out in Western Europe. (Bakunin finally learned that Nechayev was a total fanatic who'd stop at nothing--even blackmail, betrayal, and murder--and disassociated himself with Nechayev, warning friends against him.) Nechayev murdered a member of his conspiratorial group, suspecting the victim of betrayal, a scene portrayed in the novel. What most readers may not know is that Lenin was fascinated with the career of Nechayev (who was eventually caught for the murder and extradited to Russia, where he died in prison), called him a "titanic revolutionary," and said that Bolsheviks should try to find everything Nechayev had ever written, and study it. Dostoevsky knew he'd be called a "reactionary" for implying that such ends-justify-means fanaticism--terror and immorality in the name of a "better world" to come--must end in utter destruction. But he nevertheless went ahead and wrote this novel to illustrate this theme. And Lenin, admiring Nechayev, did exactly what the great novelist foresaw--he created a monstrous tyranny that destroyed Russia, perhaps (as we are now seeing) even beyond repair.
We admire Orwell's 1984 for its insights and innovative ideas, but THE DEMONS turned out to be the more accurate and prophetic book of the two. Russian novels tend to be long on characterization and short on plot--as well as very lengthy--but don't let that deter you from reading this masterpiece.
Incidentally, I once queried the companies who write student guides for novels (i.e., Cliff's Notes; Monarch Notes) about why no such guide had EVER been written for this book (even though they do exist for Dostoevsky's CRIME AND PUNISHMENT), and even though the collapse of Communism should have produced a renewed academic interest in THE DEMONS. The reply was that professors assign Dostoevsky as class reading less and less, and that very few assign this book, so there wouldn't be enough of a market for such a guide. Class reading, hell -- the profs know full well how devastating this novel would be to their own efforts to instill their own utopian political beliefs in their students. As Malcolm Muggeridge once said, everything that happened in 20th century Russia was predicted in this novel. This was what originally inspired me to read it, and he was right.
9 of 11 people found the following review helpful.
Dostoevsky's summit
By A Customer
This is the most "dostoevskian" of all Dostoevsky's novels. Seething with grotesque and violent carnival scenes, with metaphysics on rampage ( a Russian specialty and oxymoron ), "The Devils" remains a unique species. Superficially a satyrical and political novel, it evolves and unfolds into incredible cross-breed of parable and pneumatological/visionary drama. The principal characters (Stavrogin, Verkhovensky, Kirilov, Shatov, Darya,..) have by far transgressed limits of "normal" human experience and are acting their obsessions in a hallucinatory quasireality which remains more "real" than any constructed by standard realistic procedures. Hailed as the first serious political novel, even prophecy of the Russian revolution- this is a judgement I cannot assent to. Communist revolutions were executed by iron-willed ideologues who didn't have any scruples, let alone spiritual vexations; monomaniacal mystics like Kirilov or hysterics like Verkhovensky jr. have nothing in common with efficient bureaucrats and human machines described in works by Pasternak, Koestler or Solzhenitsyn. All in all, "The Devils" remains a unique bodying forth of nihilist malaise that was to become the dominant 20th century "state of mind". If it is a prophecy, then the subject is upheaval of the whole texture of Western cultural/spiritual/political life, not the wreckage of Czarism.
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